Claude M., 2021

 

CLAUDE

He’s the best thing that ever happened to me.

NEDA

I remember when you told us.

CLAUDE

Ow yeah, Christmas Eve! ‘Mummy, Daddy, I’m pregnant…’

NEDA

Ah, by whom?

CLAUDE

The sperm bank!

Synopsis: Single mother Claude M is serving a prison sentence and had no choice but to leave her son Iwan with her sister Neda.

Cast: Sara De Roo * Sachli Gholamalizad.

Year:2020| Length:12’| format:ARRI ProRes HQ|

Language:Dutch & Farsi| Subtitles:Eng & Fr

Screenplay: Michael De Cock

Director: Dorothée van den Berghe

DOP: Jan Vancaillie

Editor: Marie-Hélène Dozo

Music: Le Motel

Production: De Wereldvrede

Lecter Scripted Media

Producers: Gilles Coulier

Maarten Moerkerke

Sound: Gert Janssen

Art director: Toon Mariën

Costume designer: Tine Deseure

Make-up: Labhise Allara


 
 

Screening

*Eén/VRT (2021)

Prizes and mentions:

*Lockdown series, short form fiction (12x’10): Winner Student Prize CANNESERIES

Festivals:

*CANNESERIES

Press:

*Canneseries:

Lockdown brings twelve independent short stories, directed by twelve top Flemish directors and with a strong cast. Each story takes place in the same setting: the visiting room of a prison. Two characters, each on one side of the glass in the visiting room that separates them - but also their world.

*Humo:

“If Lockdown is one the most fascinating and disturbing anthology series of the year, it is probably because of its main character: a prison parlour with a glass pane. Fascinating because one can identify oneself easily to most situations. (…) About the series Lockdown in general: “Not only a great rehabilitation for the somewhat misunderstood genre of the short film, but also a great boost for many technically unemployed crew members, from directors to set dressers and boom operators, who, in the middle of a seemingly lost year, were unexpectedly given a wonderful opportunity to exercise their creative muscles. As a pandemic was now raging, the film crews were forced to face a series of restrictions: the stories had to be confined to one location, the visiting room of a prison, and mass scenes à la 'Spartacus' were obviously out of the question. Nobody will have succumbed to these limitations: anyone with an ounce of talent and creativity should see these kinds of restraints as a tantalising challenge. After all, it is in limitation that the master shows himself”.

*Set visit & interviews with Dorothée van den Berghe, Sara De Roo & Sachli Gholamalizad

Previous
Previous

Aller/Retour (Round Trip), 2023

Next
Next

Rosie & Moussa, 2018